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  In the vast expanse of cinematic space horror, Ash (2025) emerges as a distinctive entry, blending psychological terror with sci-fi elements. Directed by Flying Lotus (Steven Ellison), known for his avant-garde musical ventures and the 2017 film Kuso , this film offers a chilling narrative set against the backdrop of an alien planet. Plot Overview Ash follows Riya Ortiz (Eiza González), who awakens on a desolate planet to find her crew brutally murdered. Struggling with amnesia and surrounded by haunting visions, Riya's reality is further disrupted by the arrival of Brion Cargyle (Aaron Paul), a man claiming to be her rescuer. As trust becomes a scarce commodity, the duo navigates a maze of psychological and physical horrors, questioning each other's motives and their own perceptions. SoapCentral +8 Wikipedia +8 Movie Insider +8 Cast & Crew Eiza González as Riya Ortiz Aaron Paul as Brion Cargyle Iko Uwais , Beulah Koale , and Kate Elliott in supporting...

iHostage: A Tense, True-Crime Thriller That Misses Its Mark

 


Netflix’s iHostage (2025) dramatizes a harrowing real-life hostage crisis that unfolded in Amsterdam’s Apple Store in 2022. Directed by Bobby Boermans and penned by Simon de Waal, the film aims to deliver a gripping, character-driven thriller. While it effectively captures the tension of the event, it struggles to leave a lasting impression.What's on Netflix+13Decider+13Metacritic+13Time+9Metacritic+9Netflix+9


Plot Overview

Set over a single evening, iHostage follows Ilian Petrov (Admir Sehovic), a Bulgarian man who becomes an unintended hostage when Ammar Ajar (Soufiane Moussouli) storms into the Apple Store, demanding €200 million in cryptocurrency. The film unfolds through multiple perspectives: the terrified hostages, including Apple Store employee Mingus (Emmanuel Ohene Boafo), and police negotiator Lynn (Loes Haverkort), who strives to de-escalate the situation. As the standoff intensifies, the narrative delves into the psychological toll on everyone involved. Movie Insider+8EW.com+8Wikipedia+8Netflix+7What's on Netflix+7Metacritic+7


Based on True Events

The film closely mirrors the actual 2022 incident where a 27-year-old man, Abdel Rahman Akkad, took a customer hostage inside the Amsterdam Apple Store, demanding €200 million in cryptocurrency. The standoff lasted five hours and ended when the hostage escaped, prompting police to intervene. Director Boermans chose to focus solely on the night of the hostage situation, changing character names for privacy. Time+3People.com+3EW.com+3EW.com+1People.com+1Time+1People.com+1


Performances and Direction

Soufiane Moussouli delivers a chilling performance as the unstable assailant, portraying a man teetering on the edge of sanity. Emmanuel Ohene Boafo stands out as Mingus, the store employee who becomes an unexpected leader among the hostages, balancing fear with resilience. Loes Haverkort brings depth to negotiator Lynn, showcasing the emotional strain of crisis management. Wikipedia+6Netflix+6Metacritic+6Netflix+7What's on Netflix+7Wikipedia+7

Boermans’ direction emphasizes realism, opting for a grounded portrayal over sensationalism. The film’s pacing maintains tension, though some viewers may find the narrative lacking in emotional depth.What's on Netflix+9Time+9Decider+9


Critical Reception

iHostage has received mixed reviews. Some critics praise its realistic approach and strong performances, particularly highlighting Boafo’s role as Mingus. However, others criticize the film for its lack of character development and emotional engagement. People.com+16Wikipedia+16Decider+16

Audience reactions are similarly divided. While some appreciate the film's tension and realism, others find it underwhelming and lacking in depth.


Conclusion

iHostage offers a tense, realistic portrayal of a real-life hostage crisis, bolstered by strong performances and a commitment to authenticity. However, its lack of emotional depth and character development may leave some viewers wanting more. For fans of true-crime dramas and procedurals, it provides a compelling, if not entirely satisfying, viewing experience.



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